Vermillard, Marie

(November 2, 1954, Tulle, Corrèze, France - )

   Having trained as an architect in Clermont-Ferrand, she moved to Paris, where she entered films as a script supervisor in 1986 (1988 Sécurité publique, Gabriel Benattar, shot in 1986; 1989 Un Monde sans pitié / UK: A World Without Pity / USA: Love Without Pity, Eric Rochant; 1991 Aux Yeux du Monde, Eric Rochant; 1992 Riens du tout, Cedric Klapisch; 1993 Mazeppa, Bartabas; 1994 L'Eau froide, Olivier Assayas; 1995 Le Péril jeune / UK and USA: Good Old Daze, originally shot for TV in 1993, Cédric Klapisch; Les Apprentis, Pierre Salvadori). She was also an assistant director (1992 La Sentinelle / UK and USA: The Sentinel, Arnaud Desplechin), consultant to the director (1996 Chacun cherche son Chat / USA: When the Cat's Away, Cédric Klapisch), second unit director (1996 Chimère, Bar-tabas, France / Switzerland; Chamane / USA: Shaman, Bartabas), script girl (1997 Artémisia / Artemisia—Pas-sione estrema / Artemisia—Schule der Sinnlichkeit / USA: Artemesia, Agnès Merlet, France / Italy / West Germany), and actress (2004 Le Pont des Arts, Eugène Green).

 Filmography

1992 ◘ Reste (short; also screenwriter, dialogist)

1995 ◘ Quelqu'un (short; also co-screenwriter, co-dialogist)

1997 ◘ Eau douce (medium-length)

        ◘ Chantal! (short; co-director with Zaïda Ghorab-Volta; also co-screenwriter, co-dialogist)

1999 ◘ Lila Lili (also co-screenwriter, co-dialogist; shot in 1997)

2001 ◘ Imago (Jours de Folie) (also co-screenwriter, co-dialogist)

2003 ◘ La Fin du Règne animal (co-director with Joël Brisse; also co-screenwriter)

2006 ◘ Petites Révélations (medium-length; also screenwriter, dialogist)

 Television Filmography

2001 ◘ Combats de Femme—Libre à tout Prix (also co-screenwriter, co-dialogist)